(French pronunciation: ​[sote]; literally 'jumped.') The dancer launches into a jump, with the second foot then meeting the first foot before landing. Big Jumps 17. Most ballet dancers wear tights in practices and performances unless in some contemporary and character dances or variations. Both legs shoot straight downward in the air, and land on one foot in cou-de-pied. Barker/Kostrovitskaya: 101 Lessons in Classical Ballet - 1977. Listen to Dégagé Paganini Melody (2/4) by Joshua Piper. New York: New York City Ballet. (French pronunciation: ​[dɑ̃sœʁ]) A male ballet dancer. Similar to tours chaînés (déboulés), a soutenu turn is a turn usually done in multiples in quick succession. This can be done in any direction or turning (the later also known as tour piqué). In addition, the dancer must stabilize the pelvis, maintaining a neutral position, and keep the back straight to avoid arching and going off balance. The word battement is of French origin, meaning "beat". For example, assemblé, pas de bourrée, and glissade can be designated as under or dessous. A tour piqué or piqué turn is a traveling turn executed by the leg stepping out onto an en pointe or demi-pointe foot becoming the supporting leg while the working leg moves from plié to retiré derrière, if an en dedans turn, or retiré devant, if an en dehors turn. En face indicates facing something directly, generally the audience. Welcome to BalletHub’s Ballet Terms Dictionary. (French pronunciation: ​[ɑ̃ pwɛ̃t]) Supporting one's body weight on the tips of the toes, usually while wearing structurally reinforced pointe shoes. (French pronunciation: ​[də kote]; 'sideways.') (French pronunciation: ​[dəsy]; literally 'over.') The correlation you make of there being far fewer graduates today (because the training standard is … They are usually executed in front (en avant or à la quatrieme devant), to the side (à la seconde) or in back (en arrière or à la quatrieme derrière). elevated off the ground. (French pronunciation: ​[dəvɑ̃]; literally 'front.') An autonomous scene of ballet de cour, divertissement, comédie-ballet, opéra-ballet, even tragédie lyrique, which brings together several dancers in and out of the scenario. sauté arabesque is an arabesque performed while jumping on the supporting leg. When initiating a demi-plie one must pull up and resist against going down. (French pronunciation: ​[ɑ̃ fas]; 'facing, in front of.') In ballet, a compound step is a term that describes a step made up of two or more steps. The back leg follows making the splits in the air. A preposition used in description of a dancer's position (e.g., en plié, en relevé, en pointe) or holding the meaning 'towards' when describing direction of a movement (en avant, en arrière, en dedans, en dehors = 'to the front,' 'to the back', 'to the inside,' 'to the outside'). (French pronunciation: ​[devlɔpe]) Common abbreviation for temps développé. An alternating side-to-side movement of the working (non-supporting) leg. Dégagé replied to mom2's topic in National Ballet of Canada Thank you for such a thorough account of the fact that there were more school graduates in the company in the 1980’s. Odd-numbered entrechats refer to the previous number, but done landing on one foot with the other in cou-de-pied: for example, an entrechat cinq (five) is the same as an entrechat-quatre, but done landing on one leg. Dégagé is part of the (initiating) execution of jumps such as jeté, assemblé, brisé, and glissade. Daily ballet practice is essential for maintaining good form, but before you can begin, it’s essential to understand the basic positions and movements of ballet. There are two basic positions of the arms. Train in studio dance classes with other dancers five days a week to work towards being a ballerina. A glissade can be done en avant, en arrière, dessous (leading front foot ends back), dessus (leading back foot ends front), or without a changement of feet. Variants include: (French pronunciation: ​[pɑ d(ə) ʃa]; 'step of the cat.') While in a demi-plie position one must remember to have proper alignment. Story ballets (not surprisingly!) Common abbreviated name for changement de pieds. (French pronunciation: ​[ɑ̃ dədɑ̃]; 'inwards.') (French pronunciation: ​[pwasɔ̃]; literally 'fish.') After the adage, it may include a dance for the corps de ballet (often referred to as the ballabile), variations for demi-soloists, variations for lead ballerina and danseur, or some combinations of these. This is the basic concept of the Triplet in music, and it is not related to the Modern Dance "Triplet". (French pronunciation: ​[pɑ də ʃ(ə)val]; 'step of the horse.') Third position in the French/RAD schools holds one arm in second with the other arm in first. In ballet, battement (French pronunciation: ​[batmɑ̃]) is an alternating side-to-side movement of the working (non-supporting) leg. Another name denoting the same move as a chaîné (i.e. Ballerinas get more lead roles, which are referred to as principal roles as they are generally danced by principal dancers. ('Step of two.') A fouetté could also change the leg/body orientation from, for example, en face à la seconde to épaulé (second) arabesque/croisé first arabesque or effacé devant, if outside/en dehors, via a 45-degree turn. It can be done to the front (devant), to the side (à la seconde), or to the back (derrière). A classic ballet skirt, typically flat at the waist or hip level, made of several layers of tulle or tarlatan. In one, the dancer keeps the fingers of both arms almost touching to form an oval/round shape, either near the hips, at navel level, or raised above the dancer's head. A tombé through second starts with a dégagé of the leading leg to second position, the leading foot coming to the floor with the leg in plié, and the trailing leg lifting off the floor in dégagé to (the opposite-side) second position. Typically, on this exercise, the accent of the movement with the downbeat of the music is on the closing in of the feet, as opposed to the extending of the leg. They people do all figures with music. "port de bras forward," "port de bras back," "circular port de bras/grand port de bras." Double frappé back would be front, back, [dégagé] back. (French pronunciation: ​[kʁwɑze]; meaning 'crossed.') Showing lightness of movement in leaps and jumps. A movement in which the leg is lifted to cou-de-pied or retiré and then fully extended outward, passing through attitude. (French pronunciation: ​[flik flak]) Familiar French term for battement fouetté à terre. Music for Ballet Class Vol.2 by Søren Bebe (mp3 download) Rated 5.00 out of 5 $ 14.99 $ 12.49; Colors of the Wind (from Disney's "Pocahontas") - Adagio (mp3 single track) Rated 5.00 out of 5 $ 1.24; Home / Products tagged “battement-degage” battement-degage. E.g. At the end of the rotation, the originally crossed-over foot in front should now be in 5th position behind. For example, in a, Turning motion in the direction of the supporting leg. Coupé is both a step and action. An allegro step in which the extended legs are beaten in the air. La pièce, particulièrement difficile à mettre en scène de façon classique, est plutôt lue, scandée, chantée … Manèges is a classical ballet term meaning “circular.” It describes when a dancer does steps in a circular pattern around the stage. Usually during a key solo. A configuration of the legs in which the legs are extended in opposite directions, either to the side (straddle split) or with one leg forward and the other back (front split). In Cecchetti, the hands stay a little lower at tutu height. A dancer with great technical ability and skill. In classical ballet, the term ballonné is a step where the leg is extended (can be front, side, or back) at 45 degrees. (French pronunciation: ​[bʁize]; literally 'broken') A jump consisting of an assemblé traveling either forward (en avant) or backward (en arrière), with an extra beat that "breaks" the jump in its travel. A dance by four dancers. (French pronunciation: ​[eʃape]; literally 'escaped.') The downstage leg does a demi rond de jambe to the opposite corner while the body turns to face that corner. Lengthening from the center and back of the head and pressing down through the floor through the balls of the feet.