Turner Prize-winner Gillian Wearing produces candid videos and photographs revealing the disconnect between our inner lives and public personas, the individual and society, and truth and fiction. British artist Gillian Wearing, winner of the 1997 Turner Prize, uses phot... Gillian Wearing book. After pursuing art for a few years, she applied to the Goldsmiths, the University of London where she studied art education. 1963. Gillian Wearing 10 Nov 2018 — 12 May 2019 at Firstsite in Colchester, United Kingdom Please join us on Pinterest, YouTube or Instagram. To create it, Gillian confronted a number of strangers and individuals and asked them to write their opinions and thoughts on blank cards/signs before photographing the participants holding the signs. It was not Wearing's first … Oct 1, 2018 - Explore T's board "Gillian Wearing" on Pinterest. Limited edition of 1500 copies. Gillian Wearing has made a successful career as an artist that spans decades from creating candid photos and videos that reveal the disconnect that exists in people’s personal and inner lives versus their public personas or what they show the rest of the world. Though Gillian Wearing doesn’t re-enact the work of a scientist to make art, arguably she does nonetheless take on another role: that of the confessor. Read reviews from world’s largest community for readers. Born in Birmingham, United Kingdom, Gillian was not always as outspoken as is she is as an artist as a young girl. ... Signs that say what you want them to say and not Signs that say what someone else wants you to say (I'M DESPERATE) c-type prints mounted on aluminium 44.5 x 29.7 cm 1992 – 3. ‘Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say’, Gillian Wearing CBE, 1992–3 Gillian interviewed over 500 participants, Video: Curator introduction to Gillian Wearing. Limited-Edition Prints by Leading Artists, Other works from Gillian Wearing - Family Stories, Self Portrait as My Brother Richard Wearing, 2003, Self Portrait as My Father Brian Wearing, 2003, Self Portrait as My Mother Jean Gregory, 2003, Courage Calls to Courage Everywhere, 2018, Self Portrait as My Grandfather George Gregory, 2006, My Mother's Cupboards and My Father's Words (06), 1999, Found Monochrome 19, Islington, London 01.05.99, 1999, Carla Bruni Smoking, Vogue Hommes, Paris, 1994, © Gillian Wearing. experimentalprocess2014:. Signs that say what you want and not Signs that say what someone else wants you to say. Gillian Wearing : signs that say what you want them to say and not signs that say what someone else wants you to say, 1992-1993. In Wearing's hands, … Basically, Gillian undertook the project to demonstrate that if you approached a bunch of strangers on the street and asked them to share their thoughts, each one of them would have something interesting and unique to say. Like all of Wearing’s work, the portraits in this series convey the startling, unsettling divide between one’s outside appearance and innermost self. In total, Gillian interviewed and photographed over 500 participants that she had encountered in the streets of London. Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say, ” 1992-3. Although there were a number of individuals that did not respond favorably, Gillian was surprised, and pleasantly so, by the number of people that were willing to participate. Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say (I'm Desperate), 1992-3 b. To create it, Gillian confronted a number of strangers and individuals and asked them to write their opinions and thoughts on blank cards/signs before photographing the participants holding the signs. Her big break came when she won the Turner Prize in 1997 for her 2 films titled Sacha And Mum1, 1996 and 60 Minutes Silence2, 1996. Santiago Serra's Tattoo Lines - Paying prostitutes with drugs (SFW), The story behind Roy Lichtenstein's Happy Tears pop art painting, Noh Suntag in North Korea - This spectacle involves 100,000 participants, Banksy's Rage, The Flower Thrower - Everything you need to know, Keith Arnatt's Self Burial - Watch this artist disappear, Cao Fei's Cosplayers & the power of costumes, Ron Mueck's Couple Under An Umbrella sculpture tells the story of love, Maurice Agis' Dreamspace tragically killed two people - This is why. Like all of Wearing’s work, the portraits in this series convey the startling, unsettling divide between one’s outside … Donna De Salvo, Russell Ferguson, John Slyce, Gillian Wearing, London 1999. All images by Gillian Wearing unless otherwise noted. We would love to keep the conversation going. From one of her early projects, a series of 600-odd photographs called Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say, in which she asked members of the public to spill their innermost secrets on cardboard signs, to her most recent … Born in Birmingham in 1963, Gillian Wearing moved to London in 1983 to study art at the Chelsea School of Art and Goldsmiths College. First Edition. Sacha Craddock, Spotlight on Gillian Wearing, exhibition catalogue, South Bank Centre, London 1999. Required fields are marked *. London: Maureen Paley / Interim Art, 1997. Wearing's classic street / documentary photography subversion, with strangers asked to write on a blank sheet of paper. Well, that's a, ahem, tribute to one of Gillian's photographic works: 1993's Signs that say what you want them to say and not signs that say what someone else wants you to say. Gillian Wearing was born in 1963 in Birmingham, United Kingdom. C-type print. Largely influenced by reality television, the pretense of theatre, as well as documentaries, Gillian primarily features herself as well as the people she encounters in day to day life, whether on the street or through ads that she places in newspapers, as the subjects of her work. Wearing explained that the tacit collaboration between photographer and subject in this work "interrupts the logic of photo-documentary and snapshot photography by the subject's clear collusion and engineering of their own representation" (quoted in Signs that say what you want them to say and not Signs that say what someone else wants you to say 1992-1993, London, 1997). Because Gillian confronted a series of strangers to create Signs, the opinions that she received were brutally honest and real, and even funny in some instances. Exhibition catalogue, South Bank Centre, London 1999 plays a major role in her work about british,. And idiosyncrasies that make individuals who they really are inability to express herself and her! Gallery, New York United Kingdom, Gillian interviewed and photographed over 500 participants, Video: Curator to. Serious effect to Gillian Wearing '' on Pinterest typically cold and unapproachable project Gillian. 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